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Simply double-click the downloaded file to install it.Update Star Free and Update Star Premium come with the same installer.New radiocarbon dates from the sites of Bockstein-Törle, Geißenklösterle, Hohle Fels, Hohlenstein-Stadel, Sirgenstein, and Vogelherd in the Swabian Jura of southwestern Germany indicate that the Aurignacian of the region spans the period from ca. If the situation at Vogelherd, in which skeletal remains from modern humans underlie an entire Aurignacian sequence, is viewed as representative for the region, the dates from the Swabian Jura support the hypothesis that populations of modern humans entered the region by way of the “Danube Corridor.” The lithic technology from the lower Aurignacian of Geißenklösterle III is fully developed, and classic Aurignacian forms are well represented.
Catalogue of the exhibition, Haus der Kulturen der Welt, Berlin, Germany, and Johannesburg Art Gallery, South Africa, 2012.Includes the essays: "Andries Botha, (dis)Appearance(s)" by Valerie Leigh "Lest We Forget" by Professor Pitika Ntuli "History, Art, Remembering and Memorials (Harm)" by Dr Johan Wassermann "An Art of Imagining" by Professor Mike Chapman Catalogue of the travelling exhibition that opened at the University of Stellenbosch Woordefees in March 2011. Catalogue of the exhibition, Cape Town, 30 August-2 September 2002.Includes the essays: "'Stains Upon Silence'" by Michael Godby "Feet Also Feature" by Sally-Ann Murray "The Picture Stares Back" by Gerhard Schoeman. A complex art installation bringing together issues of public sculpture, urban planning, city politics & performance art. Catalogue of the exhibition on the Werdmuller Centre, an iconic "failed" piece of architecture built in the 1960s in Claremont, Cape Town, Michael Stevenson, Cape Town, 2010. Angela Ferreira was born in 1958 in Maputo, Mozambique, and now lives and works in Lisbon.Includes stories by Sean O'Toole, Storm Janse van Rensburg and others from the Stories & Conversations platform, which took place during the exhibition at Haus der Kulturen der Welt in Berlin in July 2012.Critics, artists, writers, thinkers and academics were invited to bring and share a story, and then to relate it to an image, with the intention of exploring parallel experiences, memories and relationships to places.
